spotreportix
spotreportix studio resource

Take care of your broadcast every day.

spotreportix helps studio crews set up equipment, run dynamic camera coverage and balance lighting and sound into a smooth, broadcast-ready workflow — for television news and live shows alike.

Rigid equipment setup

We audit and rig your studio for reliable, repeatable shows.

Steady camera coverage

Multi-camera and robotic operation tuned for live pace.

Balanced light & sound

Consistent exposure and clean audio, segment after segment.

Studio equipment setup

From rigging to signal routing, we configure your control room so every show starts clean.

Dynamic camera operation

Multi-camera and robotic operators trained for the pace of live television.

Lighting & sound waves

Consistent key lighting and clean audio that hold up across a full broadcast day.

Production packages

Simple crew pricing for every kind of show

Every package is a starting point. We finalise scope after a short call about your studio and broadcast schedule.

Essentials Rig

A tight crew for a single-camera studio segment.

£450/ day£600
  • One operated camera
  • Two-point lighting setup
  • Basic audio monitoring
  • Half-day rehearsal
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Most booked

Broadcast Pro

Full multi-camera coverage for news and live shows.

£980/ day£1,300
  • Three to five cameras
  • Full lighting grid
  • Live sound mixing
  • Dedicated vision mixer
  • On-site broadcast engineer
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Studio Partner

Ongoing crew and studio management on retainer.

Customquote
  • Dedicated studio crew
  • Priority scheduling
  • Equipment maintenance
  • Monthly workflow review
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Common questions

Pricing FAQs

What we bring

Every show, planned frame by frame

Production planner reviewing a studio floor plan and camera gear on a desk

Plan the shoot before it starts

We walk through your running order, camera positions and lighting plot before crew arrives, so setup on the day is fast and repeatable.

Hands operating a live television vision mixing console

Control every signal path live

Vision mixing, audio routing and monitoring are handled by one crew, so nothing gets lost between departments during a live broadcast.

We make studio days easy to run

1

Plan

We review your studio, running order and camera plot.

2

Rig

Cameras, lighting and audio are built and tested on site.

3

Shoot

Crew runs the live segment or full show from the gallery.

4

Deliver

Feeds, recordings and a wrap report are handed over.

In the field

See spotreportix at work

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Camera operator filming with a shoulder-mounted broadcast camera in a TV studio
Camera

Steady coverage on a studio floor

Shoulder-mounted and pedestal cameras kept tight on every cue.

News presenter seated at a desk under studio lighting with a camera in the foreground
Lighting

Consistent key light on presenters

Skin tones and set colour stay true across a full show.

Lighting technician adjusting a studio lighting rig on an overhead truss
Rigging

Rigs built to hold through long days

Truss, fixtures and gels checked before every broadcast.

Sound engineer wearing headphones at an audio mixing console
Sound

Clean audio from mic to mix

Wireless channels monitored so dialogue never drops out.

Outside broadcast van with satellite dish and cables during a live event
Outside broadcast

On location, fully self-contained

Satellite link and crew ready for shows away from the studio.

Director speaking into a headset while watching multiple broadcast feeds live
Direction

One gallery, every feed in view

Director calls cuts across cameras, graphics and audio in real time.

Our crew

Our team is the best in the business

Highly skilled specialists running studio floors and live galleries across the country.

About us
Studio director, a white British man in his 40s, arms crossed in a television studio

Oliver Bennett

Founder & Studio Director

Head of camera operations, a South Asian British woman in her 30s holding a camera

Priya Anand

Head of Camera Operations

Lighting and rigging lead, a white British man in his 50s wearing glasses

Thomas Reid

Lighting & Rigging Lead

Sound supervisor, a white British woman in her 30s with headphones around her neck

Sophie Clarke

Sound Supervisor

Broadcast engineer, a Black British man in his 30s in smart casual attire

Daniel Osei

Broadcast Engineer

Live production manager, a white British woman in her 20s wearing a blazer

Emily Foster

Live Production Manager

Studio workflow

Everything you need to run a broadcast studio

spotreportix brings equipment, camera operation, lighting and sound into one production plan, so every department on your studio floor moves in sync.

  • Measure your show

    Wrap reports on timing, feeds and any equipment notes after every broadcast.

  • Build your studio plan

    A written rig and camera plot your team can reuse for future shows.

  • Connect every department

    Camera, lighting, sound and direction run from a single production plan.

Talk to our crew
Hands writing a live show running order next to camera equipment on a desk